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Dalit women's autobiographies and testimonios have significantly influenced Dalit literature by highlighting the collective experiences of individuals and communities facing caste-based oppression and discrimination. These narratives emphasize the intersection of caste, class, and gender in the context of social exclusion.
AIDMAM presented testimonies of gender and caste-based violence at the 38th session of the United Nations Human Rights Council in 2018. [52] The report, called Voices Against Caste Impunity: Narratives of Dalit Women in India and presented to the United Nations (UN), was the first report on caste-based violence against women to be given to the ...
Kaushik/Koushik is ancient Indian "Gotra" applied to an Indian clan. Origin of Kaushik can be referenced to an ancient Hindu text. There was a Rishi (saint) by the name of "Vishvamitra" literally meaning 'friend of the universe', "Vishwa" as in universe and "Mitra" as in friend, he was also called as Rishi "Kaushik".
Writing Caste/Writing Gender: Narrating Dalit Women's Testimonios is a 2006 book written by Sharmila Rege and published by Zubaan India. This book is a theoretical analysis of Dalit Literature in India through the lens of gender. It is important for students of caste and gender studies. [1]
The autobiography Majya Jalmachi Chittarkatha by Dalit woman writer Shantabai Kamble, the protagonist of the story, Naja, bears the brunt of class, caste and gender. Naja is from the Mahar caste, one of the biggest Dalit communities in Maharashtra. [8] [9] [10] It is a poignant story of Dalit women's struggles in India. The book, which was ...
Caste-related violence in India has occurred and continues to occur in various forms. According to a report by Human Rights Watch: inhuman, and degrading treatment of over 165 million people in India has been justified on the basis of caste. Caste is descent-based and hereditary in nature. It is a characteristic determined by one's birth into a ...
The film is a document that frames this experience of an invisible community, rarely portrayed in Indian mainstream cinema. The fabric of Ganguly's film moves beyond the binaries of a linear and complex narrative and instead brings forth a breathtaking ruthlessness that mirrors the hidden lives and traumas of the Transgender/ Hijra/ Intersex/ gender non-conforming communities. [6]
The political culture based on vengeance, distrust and corruption has ideological, political, religious and institutional dimensions that are rooted in the whole of society. The result is an institutionalisation of violence as a means of political expression. In 2007, 192 cases of women being attacked with acid were registered.