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The colourful patterns and designs that are embroidered resulted in the name "Nakshi Kantha," [6] which was derived from the Bengali word "naksha," referring to artistic patterns. [7] Early kanthas had a white background accented with red, blue, and black embroidery; later, yellow, green, pink, and other colours were also included.
Kantha, also spelled kanta or qanta, is a type of embroidery craft in Bangladesh and eastern regions of India, particularly in the Indian states of West Bengal, Tripura and Odisha. In Odisha, old saris are stacked on each other and hand-stitched to make a thin piece of cushion .
Modern Naksi kantha. Naksha is embroidery on many layers of cloth (like quilting), with running stitch. It is also known as dorukha which mean the designs/motifs are equally visible in both sides: there is no right or wrong side so both side are usable. Traditionally, worn out clothes and saris were piled together and stitched into quilts.
Embroidery is the art of decorating fabric or other materials using a needle to stitch thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on hats, clothing, blankets, and handbags. Embroidery is available in a wide variety of thread or yarn colour.
The motifs are designed by the women sewing the quilt, usually of their choice. The embroidery is done as a fine running stitch with the thread of the same colour as the background cloth. For the main outline of the proposed pattern, chain stitch using black, brown and red thread is used. [1] The products made now are as quilts or bed sheets.
The traditional block prints in this art largely use Persian motifs like interlacing pattern of leaves and flowers , the cartwheel, different forms of the lotus flower, creepers, birds like parrots and peacock, and other intricate leaf designs. One very popular subject with them is the tree of life.
Nakshi Kantha quilts originated in India and are typically made of scraps and worn-out fabric stitched together with old sari threads using kantha embroidery stitches. "The layers of cloth were spread on the ground, held in place with weights at the edges, and sewn together with rows of large basting stitches.
Contrast with motif-less crazy quilting. Motifs can be any size, but usually all the motifs in any given work are the same size. The patterns and stitches used in a motif may vary greatly, but there is almost always some unifying element, such as texture, stitch pattern, or colour, which gives the finished piece more aesthetic appeal.
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