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Pitch shifters are included in most audio processors today. A harmonizer is a type of pitch shifter that combines the pitch-shifted signal with the original to create a two or more note harmony. The Eventide H910 Harmonizer, [2] released in 1975, was one of the first commercially available pitch-shifters and digital multi-effects units. On ...
A pitch shifter (also called an "octaver" for effects that shift pitch by an octave) raises or lowers (e.g. "transposes") each note a performer plays by a pre-set interval. For example, a pitch shifter set to increase the pitch by a fourth will raise each note four diatonic intervals above the notes actually
Pitch scaling is the opposite: the process of changing the pitch without affecting the speed. Pitch shift is pitch scaling implemented in an effects unit and intended for live performance. Pitch control is a simpler process which affects pitch and speed simultaneously by slowing down or speeding up a recording.
The thirteenth tone would then be the same as the first, and the cycle could continue indefinitely. (In other words, each tone consists of two sine waves with frequencies separated by octaves; the intensity of each is e.g. a raised cosine function of its separation in semitones from a peak frequency, which in the above example would be B 4 ...
The effect can make these acoustic instruments sound fuller and louder than by using a single tone generator (b.e.: a single vibrating string or a reed). Some examples: Piano – Each of the hammers strikes a course of multiple strings tuned to nearly the same pitch (for all notes except the bass notes). Professional piano tuners carefully ...
The DigiTech Whammy uses digital processing to raise or lower the pitch of an audio signal by up to two octaves. [1] The degree of shift is controlled by a treadle. [2] Users can set pitch-shifting intervals, add harmony, or detune the signal for a chorus-like effect. [2] The first model was introduced in 1989. [2]
Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...
In late 1983 MXR announced a digital sound effects pedal generator simply known as the Junior. The Junior was released in early 1984 and was added to the other six pedals in the Series 2000 line. The Junior boasted four sound effects: a laser, a clap, a snare and a high hat.
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