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In his first appearance in the chapter 6:05 pm, he appears quite battered like a big potato "... in which someone has stuck a few black feathers." He enlightens Maurizio about the true nature of Preposteror. [5] According to the description in chapter 5:11 pm, Maledictus T. Maggot (Maledictus Made) is an official of the devil. He is dressed in ...
Chapter 7 is pivotal to the larger structure of the entire book, acting as a bridge between the tales of chapters 1–6 and the visions of 7–12. The use of Aramaic and its place in the chiasm link it to the first half, while the use of Daniel as first-person narrator and its emphasis on visions link it to the second.
À rebours (French pronunciation: [a ʁ (ə).buʁ]; translated Against Nature or Against the Grain) is an 1884 novel by the French writer Joris-Karl Huysmans. The narrative centers on a single character: Jean des Esseintes, an eccentric, reclusive, ailing aesthete. The last scion of an aristocratic family, Des Esseintes loathes nineteenth ...
City of Night. City of Night is a novel written by John Rechy. It was originally published in 1963 in New York by Grove Press. Earlier excerpts had appeared in Evergreen Review, Big Table, Nugget, and The London Magazine. City of Night is notable for its exposé approach to and stark depiction of hustling, as well as its stream of consciousness ...
Nissim Ezekiel's poem "Night of the Scorpion" presents a rural Indian village and its people. It came from a religious background and Ezekiel wrote this poem trying to give the impression of anger, but also an underlying message of motherly love, along with a hint of culture and superstition: After twenty hours. it lost its sting.
De rerum natura (Latin: [deː ˈreːrʊn naːˈtuːraː]; On the Nature of Things) is a first-century BC didactic poem by the Roman poet and philosopher Lucretius (c. 99 BC – c. 55 BC) with the goal of explaining Epicurean philosophy to a Roman audience. The poem, written in some 7,400 dactylic hexameters, is divided into six untitled books ...
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Daniel is episodic rather than linear: it has no plot as such. It does, however, have a structure. Chapters 2–7 form a chiasm, a literary figure in which elements mirror each other: chapter 2 is the counterpart of chapter 7, chapter 3 of chapter 6, and chapter 4 of chapter 5, with the second member of each pair advancing the first in some way.