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Canon New FD lens mounting surface.. The FD lens mount is a breech-lock mount, which is a variation of the common triple-flanged bayonet attachment. The advantage of the breech-lock over the bayonet is that neither the contact surfaces between the body and lens, nor the signalling mechanisms, rotate against each other when the lens is mounted.
As compared to the previous Nikon D750, this camera body has an upgraded EXPEED 6 processor (the D750 had an EXPEED 4 processor), a BSI CMOS sensor that allows for better low-light performance (the D750 had an ISO range of 100–12,800, where the D780 has a range of 100–51,200), and a faster maximum shutter speed of 1/8000 (as compared to 1/ ...
An exploded-view drawing is a diagram, picture, schematic or technical drawing of an object, that shows the relationship or order of assembly of various parts. [1]It shows the components of an object slightly separated by distance, or suspended in surrounding space in the case of a three-dimensional exploded diagram.
The last non-EOS based SLR camera produced by Canon, the Canon T90 of 1986, is widely regarded as the template for the EOS line of camera bodies, although the T90 employed the older FD lens-mount standard. For a detailed list of EOS Film and digital SLR cameras, see Canon EOS.
The camera uses a 1/2.7" CMOS sensor, which is shared with other consumer high definition cameras manufactured by Canon, such as the HV10, HR10 and HG10. The replacement for the HV20, the HV30, was released in March 2008, soon followed by the HV40.
The Speedlite 550EX (introduced September 1998) is a flash made by Canon for use with their EOS line of cameras, primarily the Canon EOS 3. The 550EX can act as a controller that enables wireless control of other flashes. [ 25 ]
Different kinds of camera lenses, including wide angle, telephoto and speciality. A camera lens (also known as photographic lens or photographic objective) is an optical lens or assembly of lenses (compound lens) used in conjunction with a camera body and mechanism to make images of objects either on photographic film or on other media capable of storing an image chemically or electronically.
Most dSLRs and mirrorless cameras have a few manual settings and a small sample of automatic modes. On point-and-shoot cameras, all manual control may be condensed into one mode (e.g. ASP, for Aperture priority, Shutter priority, Program) or may be completely absent. Many compact cameras show a large array of scene modes.