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Bose Acoustic Wave Music System CD-3000 with CD player and FM radio. The first "Wave" product was the "Acoustic Wave Music System" (AWMS-1), which was a tabletop mini-hifi system that was introduced in 1984. The AWMS-1 consisted of an AM/FM radio, cassette player, two 2-inch tweeters, and a four-inch woofer. [2]
The "301" bookshelf speakers were released in 1975. The Bose 301 Series II is a direct/reflecting speaker system. It includes “bass effects” through a 8-inch woofer and surround sound effects through its asymmetrical design. Dual frequency crossover network in the Bose 301 Series II improves sound clarity by optimizing output frequencies. [30]
Audio feedback (also known as acoustic feedback, simply as feedback) is a positive feedback situation that may occur when an acoustic path exists between an audio output (for example, a loudspeaker) and its audio input (for example, a microphone or guitar pickup).
Bose store in Century City Bose store at the Hong Kong International Airport. The company was founded in Massachusetts in 1964 by Amar Bose with angel investor funding, including Amar's thesis advisor and professor, Y. W. Lee. [9] Bose's interest in speaker systems had begun in 1956 when he purchased an audio system and was disappointed with its performance. [10]
Bose Acoustic Wave System (AM/FM/CD/AUX/Boselink) ... Bose Wave Music System (AM/FM/CD/AUX/Boselink) See also. D-Wave Systems; The Wave Transit System
The system uses Bose articulated array with 3 transducers across the front speaker to deliver a spacious stereo sound. Two custom designed passive radiators are responsible for its big bass. Audio can also be personalized. Bass, mid-range, and treble can be adjusted using the Bose app. According to Bose, this speaker is built to last.
The back of the guitar also vibrates to some degree, driven by air in the cavity and mechanical coupling to the rest of the guitar. The guitar—as an acoustic system—colors the sound by the way it generates and emphasizes harmonics, and how it couples this energy to the surrounding air (which ultimately is what we perceive as loudness).
In many branches of acoustic engineering, a human listener is a final arbitrator as to whether a design is successful, for instance, whether sound localisation works in a surround sound system. "Psychoacoustics seeks to reconcile acoustical stimuli and all the scientific, objective, and physical properties that surround them, with the ...