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In Stitched from the Soul (1990), Gladys-Marie Fry asserted that quilts were used to communicate safe houses and other information about the Underground Railroad, which was a network through the United States and into Canada of "conductors", meeting places, and safe houses for the passage of African Americans out of slavery.
A 1979 quilt by Lucy Mingo of Gee's Bend, Alabama. It includes a nine-patch center block surrounded by pieced strips. The quilts of Gee's Bend are quilts created by a group of women and their ancestors who live or have lived in the isolated African-American hamlet of Gee's Bend, Alabama along the Alabama River.
Harriet Powers, an African American woman born into slavery, made two famous "story quilts" and was one of the many African-American quilters who contributed to the development of quilting in the United States. This style of African-American quilts was categorized by its bright colors, organization in a strip arrangement, and asymmetrical patterns.
The Freedom Quilting Bee was a quilting cooperative with members located throughout the Black Belt of Alabama. [1] Black women created the cooperative in 1966 to generate income for their families. In December 1965 the Episcopal priest Francis X. Walter was in Wilcox county Alabama, when a quilt on a clothesline outside a small home caught his eye.
The Ella King Torrey Collection of African American Quilts and other Recent Quilt Acquisitions is a collection of African American quilts that were procured from 1980 to 1983 by Ella King Torrey during her fieldwork with art historian Maude Southwell Wahlman.
Cecelia Tapplette Pedescleaux, also known as Cely, (born August 6, 1945) is an African-American quilter of traditional and art quilts, [1] inspired by historians, other African-American quilters, and quilt designs used during the Underground Railroad to communicate messages to slaves seeking freedom. [1]
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