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Peggy Dow (born Peggy Josephine Varnadow; March 18, 1928) [1] is an American philanthropist and former actress who had a brief (1949–52) career in Hollywood at Universal Studios starring in films during the Golden Age Era in the late 1940s and early 1950s.
Dick Powell as Rex Shepard; Peggy Dow as Ellen Hathaway; Joyce Holden as Golden Harvest / Goldie Harvey; Charles Drake as Perry Collins; Albert Sharpe as Grandpa Hathaway; Lou Polan as Police Sergeant Novak
Dow married Carol Marlow in June 1969 and their marriage ended in 1980. [3] They had one child, who was born in 1973. In June 1980, Dow married Lauren Shulkind. [4] In the 1990s, Dow revealed that he had suffered from clinical depression. He subsequently starred in self-help videos chronicling this battle, including the 1998 Beating the Blues. [20]
An example in this connection was the love affair between Kennedy and Peggy Dow. There never was any doubt about the outcome. Every scene following their meeting seemed to telegraph the course of events. ‘Bright Victory’ also eases in a carefully treated side-plot about the Negro problem, which it solves easily—perhaps too easily.
Undertow is a 1949 American film noir crime film directed by William Castle and starring Scott Brady, John Russell, Dorothy Hart and Peggy Dow. A young Rock Hudson has a supporting role, his second film appearance and the first in which he is named in the credits. [1] Brady plays a former Chicago mobster who is accused of murdering his old boss.
Shakedown is a 1950 American crime film noir directed by Joseph Pevney and starring Howard Duff, Brian Donlevy, Peggy Dow, Lawrence Tierney, Bruce Bennett and Anne Vernon. [ 1 ] Plot
Harvey is a 1950 American comedy-drama film based on Mary Chase's 1944 play of the same name, directed by Henry Koster, and starring James Stewart, Josephine Hull, Charles Drake, Cecil Kellaway, Jesse White, Victoria Horne, Wallace Ford and Peggy Dow.
Peggy Dow, John Litel, and Taylor Holmes, appear in support. Some observers regard the picture as a film noir, [4] [5] a view not universally embraced. Plot.