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Many stories in indigenous American communities all have a "surface" story, that entails knowing certain information and clues to unlocking the metaphors in the story. The underlying message of the story being told, can be understood and interpreted with clues that hint to a certain interpretation. [ 44 ]
Many other American short story writers greatly influenced the evolving form of the short story. For example, J. D. Salinger's Nine Stories (1953) experimented with point of view and voice, while Flannery O'Connor's well-known story, "A Good Man is Hard to Find" (1955), reinvigorated the Southern Gothic style. Cultural and social identity ...
In the Western Apache tribe, stories can be used to warn of the misfortune that befalls people when they do not follow acceptable behavior. One story speaks to the offense of a mother's meddling in her married son's life. In the story, the Western Apache tribe is under attack from a neighboring tribe, the Pimas. The Apache mother hears a scream.
The Narrative Paradigm is a theory that suggests that human beings are natural storytellers and that a good story is more convincing than a good argument. Walter Fisher developed this theory as a solution making cohesive arguments. Fisher conceptualized the paradigm as a way to combat issues in the public sphere. [4]
Events are often told in a way that makes the narrator seem to have been a part of the story; the tone is generally good-natured. Legends are differentiated from tall tales primarily by age; many legends exaggerate the exploits of their heroes, but in tall tales the exaggeration looms large, to the extent of dominating the story.
Short story: the boundary between a long short story and a novella is vague, [36] although a short story commonly comprises fewer than 7,500 words; Novella: typically, 17,500 to 40,000 words in length; examples include Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde (1886) or Joseph Conrad's Heart of Darkness (1899) [37]
Story is a sequence of events, which can be true or fictitious, that appear in prose, verse or script, designed to amuse or inform an audience. [1] Story structure is a way to organize the story's elements into a recognizable sequence. It has been shown to influence how the brain organizes information. [2]
She begins the story by trying to take some food to her ailing grandmother in the woods." This is good for a couple of reasons—the brief quote from the text serves to provide good evidence that the summary is being honest, and gives a good sense of her character. The basic premise of the story is described.