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The Epitaphios (Greek: Ἐπιτάφιος, epitáphios, or Ἐπιτάφιον, epitáphion, meaning "upon the tomb"; Slavonic: Плащаница, plashchanitsa; Arabic: نعش, naash) is a Christian religious icon, typically consisting of a large, embroidered and often richly adorned cloth, bearing an image of the dead body of Christ, often accompanied by his mother and other figures ...
A wake, funeral reception [1] or visitation is a social gathering associated with death, held before a funeral. Traditionally, a wake involves family and friends keeping watch over the body of the dead person, usually in the home of the deceased. Some wakes are held at a funeral home or another convenient location.
Mourning portrait of K. Horvath-Stansith, née Kiss, artist unknown, 1680s A Child of the Honigh Family on its Deathbed, by an unknown painter, 1675-1700. A mourning portrait or deathbed portrait is a portrait of a person who has recently died, usually shown on their deathbed, or lying in repose, displayed for mourners.
Catholic funeral service at St Mary Immaculate Church, Charing Cross. A Catholic funeral is carried out in accordance with the prescribed rites of the Catholic Church.Such funerals are referred to in Catholic canon law as "ecclesiastical funerals" and are dealt with in canons 1176–1185 of the 1983 Code of Canon Law, [1] and in canons 874–879 of the Code of Canons of the Eastern Churches. [2]
The funeral industry used to be male-dominated, but young women are flooding its ranks We're going to see a huge demand for funeral directors in the next 10 years because a lot of them are retiring.
It was socially acceptable for women to express grief, and expressing grief is important when it comes to mourning a body in terms of religion. [4] Also, in a world full of jobs solely made for men, it gave women a sense of pride that they were actually able to earn money in some way. [4] Mourners were also seen as a sign of wealth.
The Music for the Funeral of Queen Mary comprises the March and Canzona Z. 780 [1] and the funeral sentence "Thou knowest, Lord, the secrets of our hearts" Z. 58C. It was first performed at the funeral of Queen Mary II of England in March 1695. Purcell's setting of "Thou knowest, Lord" was performed at his own funeral in November of the same ...
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