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Around 1450, the dress of northern Europe developed a low V-neck that showed a glimpse of the square-necked kirtle. The neckline could be filled in with a sheer linen partlet. Wide turn-backs like revers displayed a contrasting lining, frequently of fur or black velvet, and the sleeves might be cuffed to match.
Day dresses had high necklines that were either closed, squared, or V-shaped. Sleeves of morning dresses were narrow throughout the period, with a tendency to flare slightly at the wrist early on. Women often draped overskirts to produce an apronlike effect from the front.
The low neckline of the dress could be filled with a partlet. Black velvet partlets lined in white with a high, flared neckline were worn pinned over the gown. Partlets of the same rich fabric as the bodice of the gown give the appearance of a high-necked gown.
In the 16th century, when Spanish conquistadors colonized the Inca Empire, traditional cleavage-revealing and colorful Inca dresses were replaced by high necks and covered bosoms. [ 65 ] In European societies during the 16th century, women's fashions with exposed breasts were common across the class spectrum.
The high-neck, backless look is one she returns to time and time again. This particular gown was designed by L'Wren Scott. Kidman wore a mauve dress with a matching capelet at a screening of "Nine ...
Necklines on dresses became deeper as time went on allowing for greater display of ornamentation on the neck area. A thick band of lace was often sewn onto the neckline of a gown with ribbons, flowers, and/or jewels adorning the lace. Jewelry such as strings of pearls, ribbons, or lace frills were tied high on the neck. Finally, one other large ...
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