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The Fantaisie was commissioned by and dedicated to Paul Taffanel in 1898 for the "Concours de flute", a flute competition held by the Conservatoire de Paris.Taffanel, who took over a flute class in 1893, regularly commissioned new compositions for the annual competition, and over time amassed a whole repertoire of technically challenging pieces suitable for the Conservatoire's requirements. [3]
Frédéric Chopin's "Berceuse", Op. 57, is a lullaby to be played on the piano. He composed it in 1843/44 [1] as variations in D-flat major.Chopin originally called his work "Variantes".
Serenade for flute, violin and viola in D major, Op. 25; Trio for piano, flute, and bassoon in G major, WoO 37; Pierre Boulez: …explosante-fixe…, various configurations with flute and other instruments (1971–72, 1973–74, 1985, 1991–93) Le marteau sans maître for contralto voice, alto flute, viola, guitar, xylorimba, vibraphone, and ...
Op. 333 – Observations. Psycho-biological Suite, for flute, oboe and piano; Op. 334 – Bones and Flesh Concerto, for two pianos; Op. 335 – Sounds and Silhouettes, for piano, double-bass (graphic notation) Op. 336 – Piano Sonata No. 12; Op. 337 – The Hoopoe; for chamber orchestra; Op. 338 – String Quartet No. 10
Deux sonnets de Jean Cassou, for baritone and piano or baritone and orchestra (1954) Éloignez-vous for baritone and orchestra (1956) San Francisco Night, for voice and piano (1963) Hommage à Nadia Boulanger, for soprano, 3 violas, clarinet, percussion and zither (1967) Correspondances, for soprano and orchestra (2003)
MGCD - 1002 - Moyse on solo flute with Louis Moyse on Piano and Blanche Moyse on Violin in the trio sonatas. The TD reference refers to the number in the Moyse Publication of the same name and indicates if Piano part is included; A. Messager – from the Opera 'Fortunio' - Act II - "La maison gris" TD-No.13 + Piano part
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It is often "peaceful" sounding and lacks composition, beat, and/or structured melody. [5] It uses textural layers of sound that can reward both passive and active listening [6] and encourage a sense of calm or contemplation.
The B flat atenteben is a transposing instrument, i.e. its music is written in a tone higher than the actual sounds, but a written music for the C atenteben (also referred to as atenteben-ba) directly agrees with the sounds on piano. It is an end-blown instrument with six top holes and one bottom hole.
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