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Sargam (from SA-RE-GA-MA), a technique for the teaching of sight-singing, is the Hindustani or North Indian equivalent to the western solfege. Sargam is practiced against a drone and the emphasis is not on the scale but on the intervals, thus it may be considered just intonation. The same notes are also used in South Indian Carnatic music.
Sargam refers to singing the notes, mostly commonly used in Indian music, instead of the words of a composition, with use of various ornamentations such as meend, gamak, kan and khatka, as part of a khyal performance. This is generally done in medium-tempo as a bridge between the alap and taan portions.
It is the first text to speak directly of the raga and to distinguish marga ("classical") from desi ("folk") music. It also introduced sargam solfège (or solfa), the singing of the first syllable of the names of the musical notes, as an aid to learning and performance. (The full names of the notes existed previously, for example as found in ...
The Sinhala script (Sinhala: සිංහල අක්ෂර මාලාව, romanized: Siṁhala Akṣara Mālāva), also known as Sinhalese script, is a writing system used by the Sinhalese people and most Sri Lankans in Sri Lanka and elsewhere to write the Sinhala language as well as the liturgical languages Pali and Sanskrit. [3]
Sargam (music), singing the notes of a musical composition Sargam notes, the notes sung this way. Sargam, a 1950 Indian Hindi-language family drama film by P.L. Santoshi; Sargam, a 1979 Indian Hindi-language film by Kasinathuni Vishwanath, starring Rishi Kapoor and Jayapradha; Sargam, a 1992 Indian Malayalam-language film by Hariharan, starring ...
Sinhala input methods are ways of writing the Sinhala language, spoken primarily in Sri Lanka, using a computer. Sinhala input methods can be broadly classified into two main groups: ones based on typewriter keyboard layouts, and ones that are meant to be typed on QWERTY keyboards using an input method , known as "Singlish".
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Each sruti or micro tonal interval has a definite character; the names manda, candovati, dayavati, ranjani, raudri, krodha, ugra or khsobhini denote their emotional quality which dwells in combination or singly in the notes of the modal scale: thus, dayavati, ranjani and ratika dwell in the gandhara and each of the notes ( swara) of the scale in its turn has its own kind of expression and ...