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32 Variations on an Original Theme in C minor, WoO 80 (German: 32 Variationen über ein eigenes Thema), is a composition for solo piano by Ludwig van Beethoven, written in 1806. Analysis [ edit ]
Most of Beethoven's best known works were published with opus numbers, with which they may be reliably identified.Another 228 works are designated WoO (Werke ohne Opuszahl – literally, "works without opus number"), among them unpublished early and occasional works (Cantata on the Death of Emperor Joseph II, WoO 87), published variations and folksong arrangements (25 Irish Songs, WoO 152 ...
Title page of Beethoven's symphonies from the Gesamtausgabe. The list of compositions of Ludwig van Beethoven consists of 722 works [1] written over forty-five years, from his earliest work in 1782 (variations for piano on a march by Ernst Christoph Dressler) when he was only eleven years old and still in Bonn, until his last work just before his death in Vienna in 1827.
1 Beethoven - 32 Variations in C Minor, WoO 80. Toggle the table of contents. Wikipedia: Featured sound candidates/Beethoven - 32 Variations in C Minor, WoO 80. Add ...
Franz Schmidt: Concertante Variations on a Theme of Beethoven (piano left hand and orchestra; 1923) Georg Schumann: Variations and Fugue on a Theme of Beethoven, Op. 32 (2 pianos) [4] Robert Schumann: Studies in the Form of Free Variations on a Theme by Beethoven, WoO. 31 (piano) Variations on a Theme by Beethoven (unpub.) Peter Sculthorpe:
The Fantasy for piano, vocal soloists, mixed chorus, and orchestra, Op. 80, usually called the Choral Fantasy, was composed in 1808 by then 38-year-old Ludwig van Beethoven. Beethoven intended the Fantasy to serve as the concluding work for the benefit concert he put on for himself on 22 December 1808; the performers consisted of vocal soloists ...
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The title of Beethoven's work, 'Drei Equale für vier Posaunen' is derived from the mediaeval Latin musical term ad equales or a voce (or a parte) equali.It designates two or more performers who sustain an equally difficult and important part ('equal voices') in either vocal or instrumental music, written for a particular restricted range of voice parts.