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A number of classical pianists have found success as accompanists rather than soloists; arguably the best known example is Gerald Moore, well known as a Lieder accompanist. In some American schools, the term collaborative piano is used, and hence, the title "collaborative pianist" (or collaborative artist) is replacing the title accompanist ...
The Well-Tempered Accompanist. Bryn Mawr, PA: Theodore Presser, 1949. Cranmer, Philip. The Technique of Accompaniment. London: Dennis Dobson, 1970. Dian Baker. “A Resource Manual for the Collaborative Pianist: Twenty Class Syllabi for Teaching Collaborative Piano Skills and an Annotated Bibliography.” DMA doc., Arizona State University, 2006.
The piano parts in art songs can be so complex that the piano part is not really a subordinate accompaniment part; the pianist in challenging art songs is more of an equal partner with the solo singer. As such, some pianists who specialize in performing art song recitals with singers refer to themselves as "collaborative pianists", rather than ...
Martin Katz (born November 27, 1945) [1] is an American pianist, educator and conductor, primarily known for his work as an accompanist.. Katz was trained as a collaborative pianist by Gwendolyn Koldofsky at the Thornton School of Music, part of the University of Southern California; where he was a member of the USC's music fraternity Phi Mu Alpha Sinfonia.
Occasionally, producer Tommy West would join them onstage, typically on the TV appearances, playing the piano. With constant touring becoming a grind, and a No. 1 record on the charts (" Bad, Bad Leroy Brown "), Muehleisen and Croce returned to New York's The Hit Factory in the summer of 1973 to record Croce's third record as a solo artist.
Dennis was born in Seattle, Washington, United States. His mother was a violinist and his father a singer, and the family was in vaudeville, so he was exposed to music early. In 1933 he joined Horace Heidt's orchestra as a vocalist and pianist. Later on, he formed his own band, with Dick Haymes as vocalist.
He also appeared in the opening season of New York's Philharmonic Hall as accompanist for the Norman Luboff Choir. In 1971 Raymond Beegle founded the New York Vocal Arts Ensemble, [ 2 ] which for thirty-five years toured the world and recorded vocal chamber works by master composers of the 18th, 19th and 20th centuries.
Eschewing the art-music world, Harnell sought work in pop and jazz, working as a for-hire pianist after returning to New York City in 1950. He played in Lester Lanin's band at this time and found work as an accompanist for singers such as Judy Garland, Maurice Chevalier, and Marlene Dietrich. [4]