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Inspired by Spinoza, [6] Taneyev developed a theory which covers and generalizes a wide range of advanced contrapuntal phenomena, including what is known to the english-speaking theorists as invertible counterpoint (although he describes them mainly using his own, custom-built terminology), by means of linking them to simple algebraic ...
Polyphony (/ p ə ˈ l ɪ f ə n i / pə-LIF-ə-nee) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice or a texture with one dominant melodic voice accompanied by chords ().
John Browne: O mater venerabilis, c. 1500, Latin polyphonic votive antiphon (contains the phrase 'Heloy, Heloy, lama zabathani' - 'My God, my God, why hast thou forsaken me?') Robert Fayrfax: Maria plena virtute, before 1521, Latin polyphonic votive antiphon (contains six of the sayings)
Polyphonic or Counterpoint or Contrapuntal: Multiple melodic voices which are to a considerable extent independent from or in imitation with one another. Characteristic texture of the Renaissance music, also prevalent during the Baroque period. [8] Polyphonic textures may contain several PMs. [5]
In the early polyphonic settings of the Requiem, there is considerable textural contrast within the compositions themselves: simple chordal or fauxbourdon-like passages are contrasted with other sections of contrapuntal complexity, such as in the Offertory of Ockeghem's Requiem. [3] In the 16th century, more and more composers set the Requiem mass.
[3] [7] In fact, Richard Hoppin regarded voice exchange as "the basic device from which the Notre Dame composers evolved ways of organizing and integrating the simultaneous melodies of polyphony," [8] and of considerable importance as a means of symmetry and design in polyphonic music as well as starting point for more complex contrapuntal ...
2. Hoppin’ John. Southerners are usually eating Hoppin’ John (a simmery mix of black-eyed peas and rice) on New Year's Day. Like most “vegetable” recipes from around this area, it contains ...
It is set in imitative polyphony throughout, with attention to the meaning of the text in subtle word-painting. For the word "desiderat", expressing longing, the pace is faster, and the melody rises, reaching its peak on the word "fontes" (streams, water, fountains).
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