Search results
Results from the WOW.Com Content Network
The Merchant of Venice is a play by William Shakespeare, believed to have been written between 1596 and 1598.A merchant in Venice named Antonio defaults on a large loan taken out on behalf of his dear friend, Bassanio, and provided by a Jewish moneylender, Shylock, with seemingly inevitable fatal consequences.
The award-winning monologue Shylock (1996) by Canadian playwright Mark Leiren-Young, focuses on a Jewish actor named Jon Davies, who is featured as Shylock in a production of The Merchant of Venice. [14] Jon addresses his audience at a "talk back" session, after the play is closed abruptly due to controversy over the play's alleged antisemitism ...
Summary Measure for Measure: Summary The Merchant of Venice: Summary Antonio borrows money from Shylock, a Jewish moneylender, to lend money to his friend Bassanio. Bassanio uses the money to successfully woo Portia, a wealthy and intelligent woman with a large inheritance.
Shylock - a Study by Joseph Keiley. The Merchant is a 1976 play in two acts [1] by the English dramatist Arnold Wesker. It is based on William Shakespeare's The Merchant of Venice, and focuses on the Jewish Shylock character, that play's principal antagonist. [2] [3] Wesker began writing the play after seeing a 1973 performance by Laurence ...
Jessica is the daughter of Shylock, a Jewish moneylender, in William Shakespeare's The Merchant of Venice (c. 1598).In the play, she elopes with Lorenzo, a penniless Christian, and a chest of her father's money, eventually ending up in Portia and Bassanio's household.
"Deconstructing the Christian Merchant: Antonio and The Merchant of Venice." Shofar 20.2 (2002) Schneiderman, Jason (2014). "Four Poems". The American Poetry Review. 43 (1): 14–15. ISSN 0360-3709. JSTOR 24592298. Shakespeare, William, and Kenneth Myrick. The Merchant of Venice with New and Updated Critical Essays and a Revised Bibliography ...
In 1876, the critic J. Weiss was the first to assert that Portia assists Bassanio. More recent critics that take this view are S. F. Johnson, in "How Many Ways Portia Informs Bassanio's Choice," and Michael Zuckert in "The New Medea: On Portia's Comic Triumph in The Merchant of Venice," both in 1996.
Shylock is insistent that the bond be held true while the Duke and other characters argue on behalf of Antonio. Bassanio steps in to confront Shylock and offers to pay the sum that is owed or even pay more if that is what Shylock wishes. Shylock refuses, and that is when Portia, disguised as a lawyer, begins to argue the case.