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Sir Derek Alton Walcott KCSL OBE OM OCC (23 January 1930 – 17 March 2017) was a Saint Lucian poet and playwright.. He received the 1992 Nobel Prize in Literature. [1] His works include the Homeric epic poem Omeros (1990), which many critics view "as Walcott's major achievement."
Stephen Breslow of University of Tampa had since the mid-1980s predicted that Walcott would become a Nobel laureate in literature and explained that the likely reasons why Swedish Academy chose Derek Walcott was because his work had "a strong regional voice that transcends its topical locality, through the depth and breadth of its poetic resonance and through its global human implication."
Omeros is an epic poem by Saint Lucian writer Derek Walcott, first published in 1990.The work is divided into seven "books" containing a total of sixty-four chapters. Many critics view Omeros as Walcott's finest work.
Derek Walcott's wrote "The Sea is History," and dramatized the impact of tropical storms and hurricanes on the locals. [18] Caribbean writing deploys agricultural symbolism to represent the complexities of colonial rule and the intrinsic values of the lands. Native fruits and vegetables appear in colonized and decolonizing discourse.
Postcolonialism (also post-colonial theory) is the critical academic study of the cultural, ... Derek Walcott (1930–2017) Postcolonial non-fiction. Pre-2000
Derek Walcott's Omeros (1990) is one of the most renowned epic poems of the 20th century and of the Caribbean. [24] The work is divided into seven books containing sixty-four chapters. Most of the poem is composed in a three-line form that is reminiscent of the terza rima form that Dante used for The Divine Comedy.
The title Petals of Blood is derived from a line of Derek Walcott's poem 'The Swamp'. [7] The poem suggests that there is a deadly power within nature that must be respected despite attempts to suggest by humans that they live harmoniously with it. [8] Fearful, original sinuosities! Each mangrove sapling. Serpent like, its roots obscene
Current trends in Transnational studies also reflect the growing importance of post-colonial literary figures such as J. M. Coetzee, Maryse Condé, Earl Lovelace, V. S. Naipaul, Michael Ondaatje, Wole Soyinka, Derek Walcott, and Lasana M. Sekou. For recent post-colonial studies in North America see George Elliott Clarke.