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The European harmonium developed in the 18th century, inspired by the Chinese sheng, a gourd mouth organ. [3] Various types of European harmoniums and reed-organs arrived in India in the 19th century, some were brought by missionaries. [2] [1] The Indian harmonium is derived from reed organ designs developed in France.
The Harmonium replaced the Sarangi in the early 20th century and went through tough times as it first was banned as accompanying instrument by All India Radio (A.I.R). Hindustani classical music exponents such as Walawalkar (and many others) established the Harmonium as solo instrument in Indian Classical music. [3] [10]
Vidyadhar Oke (born 1952) is an Indian doctor, musicologist, harmonium player, and astrology consultant, who has done research in the use of shrutis in Indian classical music and created a unique [1] 22-shruti version of the harmonium.
Tribal fiddle instruments called "Dhodro Banam" used by Santhal people in Eastern India. Chikara; Dhantara; Dilruba; Ektara violin; Esraj; Kamaicha; Kingri (string instrument)
He performs classical renditions, semi-classical forms like Marathi Natyasangeet (Stage Music), bhajans, and thumri. His contributions to music encompass a range of engagements. Kedar has participated in numerous harmonium solo recitals and has provided accompaniment for vocalists in various concerts, spanning across India, Europe, and the ...
Sudhir Nayak (Marathi: सुधीर नायक, Kannada: ಸುಧೀರ್ ನಾಯಕ್, born 15 May 1972) is an Indian classical Harmonium player, a disciple of Pandit Tulsidas Borkar and Pandit Jitendra Abhisheki. He is also a music composer of repute and is constantly engaged in teaching music to students regularly and also through ...
Bhaskarbuwa Bakhale, and would also often perform solo, but later gave up harmonium for most part of his career. He composed music for the drama Manapman in 1910, and also for the first Marathi talkie Ayodhyecha Raja (1932). He also acted in both these productions. He was a personal friend of Late Yuvaraja of Mysore, HH Sri.
This is a list of various Ragas in Hindustani classical music.There is no exact count/known number of ragas which are there in Indian classical music.. Once Ustad Vilayat Khan saheb at the Sawai Gandharva Bhimsen Festival, Pune said before beginning his performance – "There are approximately four lakh raags in Hindustani Classical music.