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Studio One is an American anthology drama television series that was adapted from a radio series. It was created in 1947 by Canadian director Fletcher Markle , who came to CBS from the CBC . It premiered on November 7, 1948, and ended on September 29, 1958, with a total of 467 episodes over the course of 10 seasons.
Studio One is an American anthology drama television series that was adapted to from a radio series. It was created in 1947 by Canadian director Fletcher Markle for CBS.It premiered on November 7, 1948, and ended on September 29, 1958, with a total of 467 episodes over the course of 10 seasons.
The Show ran for four seasons and 132 episodes. [6] The program was revived in 1997 by the Showtime cable network. [7] Showtime producer Stan Rogow hearkened back to the original program, noting that Studio One in 1957 "had a stature and tone to it, and nothing like that is done anymore". [8]
The production was staged in New York City and aired live on September 20, 1954, as the first episode in the seventh season of the program, Studio One. A kinescope recording was made for rebroadcast later on the west coast. [4] It was written by Reginald Rose especially for Studio One. Felix Jackson was the producer and Franklin Schaffner the ...
"Of Human Bondage" is a 1949 American television play. Adapted from the novel Of Human Bondage by Somerset Maugham it was an episode of the anthology series Studio One. The adaptation was by Sumner Locke Elliott and the success of the show helped launch Elliott's television career. [1] [2] [3]
"Little Women" is a 1950 American television play, adapting the classic novel Little Women over two nights for Studio One. The first was "Little Women: Meg's Story" on December 18, followed by "Little Women: Jo's Story" on Christmas Day. Both episodes were written by Sumner Locke Elliott and directed by Lela Swift.
Studio One (American TV series) images (4 F) Pages in category " Studio One (American TV series)" The following 19 pages are in this category, out of 19 total.
The episode was directed by Franklin J. Schaffner whose biographer wrote "From the start of the show to its end, [producer Worthington] Miner's influence is apparent: Schaffner's camera is constantly on the move; in a few years he would be known for his long and graceful tracking shots. Oddly enough, none of the other networks used a moving ...