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Françoise Mouly (French:; born 24 October 1955) is a French-born American designer, editor and publisher. [1] She is best known as co-founder, co-editor, and publisher of the comics and graphics magazine Raw (1980–1991), as the publisher of Raw Books and Toon Books, and since 1993 as the art editor of The New Yorker.
Raw Books & Graphics is an American publishing company specializing in comics and graphic novels. Operating since 1978, it is owned and operated by Françoise Mouly . The company first came to prominence publishing Raw magazine, co-edited by Mouly and her husband, cartoonist Art Spiegelman .
The term outsider art was coined in 1972 as the title of a book by art critic Roger Cardinal. [1] It is an English equivalent for art brut (French: [aʁ bʁyt], "raw art" or "rough art"), a label created in the 1940s by French artist Jean Dubuffet to describe art created outside the boundaries of official
Raw was a comics anthology edited by Art Spiegelman and Françoise Mouly and published in the United States by Mouly from 1980 to 1991. It was a flagship publication of the 1980s alternative comics movement, serving as a more intellectual counterpoint to Robert Crumb's visceral Weirdo, which followed squarely in the underground tradition of Zap and Arcade. [1]
The Artist's Handbook of Materials and Techniques is a reference book by Ralph Mayer (1895–1979). [1] Intended by the author for use by professional artists, it deals mostly with the chemical and physical properties of traditional painterly materials such as oil , tempera , and encaustic , as well as solvents , varnishes, and painting mediums.
Material Culture Review (French: Revue de la culture matérielle) is a biannual peer-reviewed academic journal of material culture. [1] It is abstracted and indexed in the MLA International Bibliography. [2] The editor-in-chief is Ilaria Battiloro (Mount Allison University).
The contents of Read Yourself Raw are a selection of comics by various artists originally published from Raw magazine issues one to three, a comics anthology that circulated from 1980 to 1991. Read Yourself Raw is a selection of comic works that was originally published in issues one to three of Raw. It also includes the original covers ...
The review, entitled "Can art be defined?," was reprinted in his book Art's Prospect (2003). Beginning by dismissing the "certainty" of Ayn Rand "disciples," Kimball goes on to observe that the book is "a rich, opinionated mélange . . ., full of notes, asides, and second thoughts, but positively steely in . . . laying down the law about what ...