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Relational art or relational aesthetics is a mode or tendency in fine art practice originally observed and highlighted by French art critic Nicolas Bourriaud.Bourriaud defined the approach as "a set of artistic practices which take as their theoretical and practical point of departure the whole of human relations and their social context, rather than an independent and private space."
Also in 2013 she participated in SEAF with her social sculpture "Poor Impulse Control"- an example of relational art, social sculpture, or ironic participation. In this form the artist exploits the role of the viewer as the art object. The primary role of social sculpture is not one of beauty, but of intervention through discomfort.
Social practice or socially engaged practice [1] in the arts focuses on community engagement through a range of art media, human interaction and social discourse. [2] While the term social practice has been used in the social sciences to refer to a fundamental property of human interaction, it has also been used to describe community-based arts practices such as relational aesthetics, [3] [4 ...
Internet art has many different forms, but often there is some kind of community that is created for a project or it is an effect of an art project. One example of community art is the so-called image worm, whereby artists on a forum will build upon a canvas and smoothly transition in their own piece between the last piece using image stitching ...
image artwork sharing website: various (15 million CC licensed) [46] Flickr: user photo uploading and sharing service: various CC licenses (350 million CC images of 6+ billion images [47] [48]) Mapillary: Over 30 million free photos: CC BY-SA: Metropolitan Museum of Art: paintings and artworks: CC0 (375.000) [49] Mushroom Observer
Social sculpture is a phrase used to describe an expanded concept of art that was invented by the artist and founding member of the German Green Party, Joseph Beuys.Beuys created the term "social sculpture" to embody his understanding of art's potential to transform society.
Artists are becoming autonomous agents of social processes, partisans of the real. The interaction between artists and social situations, between art and non-art contexts has led to a new art form, where both are folded together: Context art. The aim of this social construction of art is to take part in the social construction of reality.” [2]
Social support is the help, advice, and comfort that we receive from those with whom we have stable, positive relationships. [11] Importantly, it appears to be the perception, or feeling, of being supported, rather than objective number of connections, that appears to buffer stress and affect our health and psychology most strongly.