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They show vast, abstract landscapes, mostly in a tightly limited palette of colors, only occasionally showing flashes of contrasting color accents. Typically, these alien landscapes are populated with various abstract shapes, sometimes angular and sharp as shards of glass, sometimes with an intriguingly organic look to them, like giant amoebae ...
Landscape with Yellow Field: Lenbachhaus, Munich 29.8 x 44.5 More images: 1905 Russian beauty in a landscape [4] Lenbachhaus, Munich 41.5 x 28.8 Tempera on board More images: 1906 Saint-Cloud Park, Shaded Path: Musée National d'Art Moderne, Paris 48 x 65 Oil paint on canvas More images: 1906 Rapallo, Stormy Sea: Musée National d'Art Moderne ...
Mountains and Sea is a 1952 painting by American abstract expressionist painter Helen Frankenthaler. [2] [3] Painted when Frankenthaler was 23 years old, it was her first professionally exhibited work. [4] Though initially panned by critics, Mountains and Sea later became her most influential and best known canvas. [5] [6]
Ronnie Landfield (born January 9, 1947) is an American abstract painter.During his early career from the mid-1960s through the 1970s his paintings were associated with Lyrical Abstraction (related to Postminimalism, Color Field painting, and Abstract expressionism), and he was represented by the David Whitney Gallery and the André Emmerich Gallery.
[2] [23] Art in America’s Joanna Frueh suggested Sharpe’s formal experiments were a quest to realize the inspiration experienced by early modernists and the Abstract Expressionists, within an independent language that rivaled but did not imitate them. [7] [18] David Sharpe, Untitled Landscape, oil on canvas, 56" x 68," 1970.
It is seen as combining the emotional intensity and self-denial of the German Expressionists with the anti-figurative aesthetic of the European abstract schools such as Futurism, the Bauhaus and Synthetic Cubism. Abstract Expressionism, Action painting, and Color Field painting are synonymous with the New York School.
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