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Elizabeth Taylor Greenfield (1817 – March 31, 1876), dubbed "The Black Swan" (a play on Jenny Lind's sobriquet, "The Swedish Nightingale" and Catherine Hayes's "The Irish Swan"), [1] [2] was an American singer considered the best-known Black concert artist of her time.
When Harry Pace left the company to start Black Swan Records, he took Henderson with him to be musical director, a job which lasted from 1921 until 1923. [4] From 1920 to 1923, he primarily played piano accompaniment for blues singers. [10] Henderson toured with the Black Swan Troubadours featuring Ethel Waters from October 1921 to July 1922. [11]
Monument at the crash site of the airplane carrying Buddy Holly, The Big Bopper, and Ritchie Valens; "The Day the Music Died". The following is a list of notable performers of rock and roll music or rock music, and others directly associated with the music as producers, songwriters or in other closely related roles, who have died. The list ...
The following is a list of notable performers of rock and roll music or rock music, and others directly associated with the music as producers, songwriters or in other closely related roles, who have died in the 1950s. The list gives their date, cause and location of death, and their age.
Died of undisclosed illness [107] Steve Priest The Sweet: 72: June 4, 2020: Died of undisclosed cause, after health failure [108] Rupert Hine Record producer from Thinkman, Quantum Jump: 72: June 4, 2020: Wiltshire, England: Undisclosed cause, although he had renal cancer and arrhythmia [109] Frank Bey: 74: June 7, 2020: Glenolden, Pennsylvania ...
This is a list of notable performers of rock music and other forms of popular music, and others directly associated with the music as producers, songwriters, or in other closely related roles, who died in 2023.
Black Swan Paramount Decca: Trixie Smith (c.1885/1895 – September 21, 1943), was an American blues singer and film actress. She made ...
"Black Swan" was met with acclaim from music critics. In her review for Consequence of Sound, Hannah Zwick complimented the song's "beautiful blend of trap drumbeats and strings, rap and vocals, that creates an atmosphere of anxiety before you even read the lyrics" and chose the song as a highlight of Map of the Soul: 7. [37]