Search results
Results from the WOW.Com Content Network
The Three Friends are known as shōchikubai (松竹梅, lit. ' pine-bamboo-plum ') in Japan. [11] They are particularly associated with the start of the Lunar New Year, appearing on greeting cards and as a design stamped into seasonal sweets. [12]
The symbol crest attributed to Nichimoku is the combination of Pine tree, Plum tree, Bamboo, signifying the ancient Chinese symbol of Three Friends of Winter which are believed to auspiciously endure hardship through the winter season. [2] [3] [4]
Kimono are commonly decorated with motifs of either seasonal, cultural or religious significance, with some auspicious groupings of motifs — such as the Three Friends of Winter — being commonly seen on kimono worn to formal events such as weddings. Motifs may also refer to folklore, classical literature or popular culture, and sometimes ...
Along with evergreen pine trees and plum blossoms – the first flower of spring – bamboo is a part of the traditional Three Friends of Winter motif, commonly seen on kimono worn for auspicious occasions as a symbol of perseverance and resilience. Japanese artists have often represented bamboo enduring inclement weather, such as rain or snow ...
"There are three friends of winter: the pine tree, the plum blossom, and bamboo,' Shanghai Papa once told me." - from Bend, Not Break: A Life in Two Worlds, by Ping Fu The above quote exemplifies ...
Pieces are usually painted with birds, flying squirrels, the "Quail and Millet" design, the "Three Friends of Winter" (pine, plum, and bamboo), flowers (especially the chrysanthemum, the national flower of Japan) and figural subjects such as the popular "Hob in the Well" (shiba onko), illustrating a Chinese folk tale where a sage saves his ...
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Together, the Four Gentlemen have been used in Chinese painting since the time of the Song dynasty (960–1279) since the publication of Mixtures Pharmacopeia aka Heji Jufang and were later adopted elsewhere in East Asia by artists in Korea, Japan, and Vietnam. However, their individual meanings have been traced to far earlier times.