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A photographic essay or photo-essay for short is a form of visual storytelling, a way to present a narrative through a series of images. A photo essay delivers a story using a series of photographs and brings the viewer along a narrative journey. [1] Examples of photo essays include: A web page or portion of a web site.
This is an accepted version of this page This is the latest accepted revision, reviewed on 16 December 2024. Art and practice of creating images by recording light For other uses, see Photography (disambiguation). Photography of Sierra Nevada Photography is the art, application, and practice of creating images by recording light, either electronically by means of an image sensor, or chemically ...
The term "visual narrative" has been used to describe several genres of visual storytelling, from news and information (photojournalism, the photo essay, the documentary film) to entertainment (art, movies, television, comic books, the graphic novel). In short, any kind of a story, told visually, is a visual narrative.
Subsequently, essay has been defined in a variety of ways. One definition is a "prose composition with a focused subject of discussion" or a "long, systematic discourse". [3] It is difficult to define the genre into which essays fall. Aldous Huxley, a leading essayist, gives guidance on the subject. [4]
On Photography won the National Book Critics Circle Award for Criticism for 1977 and was selected among the top 20 books of 1977 by the editors of The New York Times Book Review. In 1977, William H. Gass, writing in The New York Times, said the book "shall surely stand near the beginning of all our thoughts upon the subject" of photography. [3]
Fine art photography stands in contrast to photojournalism and commercial photography. Photojournalism visually communicates stories and ideas, mainly in print and digital media. Fine art photography is created primarily as an expression of the artist's vision, but has also been important in advancing certain causes.
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The concept of unity in variety was further developed in the early 1700s by Francis Hutcheson, who declared that excitement is generated by "Uniformity amidst Variety", which generates a "disinterested" pleasure (i.e., the one with no regard for practical issues, like existence of the considered object or the wants of the body, like thirst).