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The most famous armour worn by Maximilian was Gothic-style armour, which was worn by Maximilian when he was a young prince and later presented as an honourable wedding gift for his uncle Sigmund. [3] Maximilian I became emperor in 1493 and died in 1519, but classic Maximilian armour is known from 1515 to 1525, and similarly shaped armour with ...
Emperor Maximilian I kept his personal arms in the medieval castle. In addition, a royal armoury was housed in the "Öden Kirchen" of St. Paul near St. Michael's Church. In 1598, this was moved to the top floor of the Stallburg, which was built for Maximilian II after 1558.
Maximilian II (31 July 1527 – 12 October 1576) was Holy Roman Emperor from 1564 until his death in 1576. A member of the Austrian House of Habsburg, he was crowned King of Bohemia in Prague on 14 May 1562 and elected King of Germany (King of the Romans) on 24 November 1562.
Most of the armours of Charles V and Philip II were forged following the concept of fitting armor invented by Maximilian I, Holy Roman Emperor: consisted of a base armour provided with reinforcement parts or complement, decorated uniformly, so that the exchange of the different pieces that compose it, could lead to the formation of various ...
The Gothic style of plate armour peaked in a form known as Maximilian armour, produced during 1515–1525. High Gothic armour was worn during the later 15th century, a transitional type called Schott-Sonnenberg style was current during c. 1500 to 1515, and Maximilian armour proper during 1515 to 1525. [ 1 ]
Maximilian II HRE 1527–1576: Ferdinand II Archduke of Austria 1529–1595: Charles II Archduke of Austria 1540–1590: Carlos Prince of Asturias 1545–1568: Philip III of Spain 1578–1621: Rudolf II HRE 1552–1612: Ernest of Austria 1553–1595: Matthias HRE 1557–1619: Maximilian III Archduke of Austria 1558–1618: Albert VII Archduke ...
German so-called Maximilian armour of the early 16th century is a style using heavy fluting and some decorative etching, as opposed to the plainer finish on 15th-century white armour. The shapes include influence from Italian styles. This era also saw the use of closed helms, as opposed to the 15th-century-style sallets and barbutes.
Moreover, "Like Charlemagne, Otto the Great, Henry II, and Frederick Barbarossa, Maximilian was a fostering spirit, i.e. he not only commissioned literature, but through his policies and the force of his personality he created a climate conducive to the flowering of the arts." [153] [154] Hans Burgkmair, The Imperial Eagle, 1507, NGA 39804.