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For joyful occasions, such as Sambot Taon, the beaded slippers are made of colourful beads with intricate patterns while for mournful occasions, the beads used are black, white or blue with simpler patterns. This matching beaded slippers are seldom used in most of kebaya variants, only used in specific kebaya style, i.e. the nyonya kebaya.
The fabric was black serge of Florence, with some black plaid, the skirt and sleeves were silk chamlet lined with taffeta, the headdresses were linen and camerage . [56] Florian Broshere, the tapestry worker and embroiderer, draped her bed and hanged the chapel at Holyrood with fine French black.
It features a comfortable cowl neck, long batwing sleeves and a cut that's flattering while still being so snuggly. Made from a super-soft woven blend, it comes in 24 colors.
[54] [99] The men (i.e. soldiers, grooms and male attendants) in the mural paintings of Xu Xianxiu tomb are depicted wearing high black or brown boots, belts, headgears, and clothing which follows the Xianbei-style, i.e. V-neck, long tunic which is below knee-length, with the left lapel of the front covering the right; narrow-sleeved tunic ...
The gold kaftan [3] [5] is generally worn after marriage; before marriage, either a black bekishe or weekday-style clothing is worn on days when a bekishe is usually worn. Some of those who wear the gold bekishe switch to black on Shabbos afternoon before Mincha ; this is seen in, for example, Dushinsky and with many of the Prushim.
Symbolic references are drawn from the beads through the color, pattern, formation, and motifs. Motifs on the beads often used include trees, diamonds, quadrangles, chevrons, triangles, circles and parallel lines that form a pattern exclusive to certain age groups. Brick stitch is the most common technique for creating Zulu beadwork.
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