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The female folk costume featured the lush and elegance, due to its essential element, silver jewellery. In the 18th and 19th century, women in Cieszyn wore splendorous clothes which consisted of a lace cap, covered with headgear, a short shirt (kabotek), redbreas, [check spelling] padded corset (żywotek), sewn at the waist, apron, white stockings and black shoes.
Vest, long-sleeved jacket and overcoat: This is either made from a plain fabric, a velveteen fabric or a sequin covered fabric. Gown: This is usually the dazzling masterpiece of the outfit. Most commonly, Kurdish women wear a mesh fabric or a sheer fabric which is ornamented skillfully with many beads or sequins, or both.
Black kebaya for church has cuts akin to baju cele shirt, it has long sleeves and made of black brocade, the sarong is also made of black brocade. Ambon kebaya usually worn combined with black cenela slippers with white socks, and the ladies usually also bring lenso laced handkerchief .
It can be made from the same fabric as the top to bottom or a different one each for the Iro ati buba parts. The buba can have different necklines, sleeves, embroidery and embellishments, depending on the occasion and the wearer's taste. The iro can have different lengths, widths, and patterns, depending on the occasion and the wearer's taste.
The upper part is sewn to the lower. Around the neck, around the sleeves and at the bottom of the hem, the shirt is closed and festooned with a lace of thicker cotton. A jelek vest is placed over the shirt. Long pleated skirts can be in a variety of different colors (often in a kilt like pattern), most common ones are clean white or black.
The yelek was a long caftan with a fitted body and skirts with long slashes that allowed the panels to be tucked upwards and revealed the pants underneath. It had a low neckline and fastened with buttons. It had long sleeves that hung loose from the elbow and revealed the shift underneath. The entari ('antree [26]) was cut the same way, but ...
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