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Women wearing the fengguan as part of their set of wedding clothing has been a long tradition in the area of Zhejiang. [11] The fengguan was a symbol of good fortune. [ 2 ] However, women who were remarrying for a second times and who were to be become a man's concubine were not allowed to wear fengguan .
In the Song dynasty, some scholar officials, such as Sima Guang, advocated that women should cover their faces when going out. [4] The weimao-style hat was revived in the 10th century when women started to wear mianyi (Chinese: 面衣; lit. 'veil or facial covering'), which was also known as gaitou (Chinese: 蓋頭; lit. 'head cover') by the common people. [3]
Also known as white gauze hat. It was worn by the sovereigns of Liu-Song and Southern Qi, it was later inherited by the Sui dynasty. [28] Adult White gauze hat. Northern and Southern dynasties – Sui Wusha Gaowu mao (烏紗高屋帽) High reach black gauze hat. See also, Long Guan: Adult Northern and Southern dynasties – Song Zhulu mao ...
Caping worn by a farmer in Indonesia These women at the Awa Dance Festival in Japan wear the characteristic kasa of the dance Vietnamese nón tơi. The Asian conical hat is a simple style of conically shaped sun hat notable in modern-day nations and regions of China, Vietnam, Korea, Japan, Philippines, Indonesia, Malaysia, Thailand, Cambodia, Laos, Myanmar, Bangladesh, India, Nepal, and Bhutan.
Liangmao (Chinese: 涼帽; lit. 'cool hat'), also known as Hakka hat [1] [2] and Hakka bamboo hat, [3] is a traditional bamboo and/or straw hat worn by the Hakka people who perform manual work, such as farming and fishing. [1] [4] [5] Hakka women wore it when working in the fields.
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Protestants were found to be basically nondenominational and largely (70%) women. [7] In the years 2011 and 2012 the ISTAT made a survey regarding the religious affiliation among the immigrants in Italy, the religion of the Chinese people in Italy were as follows: [8] Non religious: 44.5%; Buddhists: 44.4%; Christians: 7.3%; Other religions: 3.8%
Chinoiserie in fashion refers to the any use of chinoiserie elements in fashion, especially in American and European fashion. Since the 17th century, Chinese arts and aesthetic were sources of inspiration to European artists, creators, [1]: 52 and fashion designers when goods from oriental countries were widely seen for the first time in Western Europe.