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The earliest printed version of the rhyme is in Tommy Thumb's Little Song Book (c. 1744), but the rhyme may be much older. It may be alluded to in Shakespeare's King Lear (III, vi) [1] when Edgar, masquerading as Mad Tom, says:
The Queen Was in the Parlour, Eating Bread and Honey, by Valentine Cameron Prinsep.. The rhyme's origins are uncertain. References have been inferred in Shakespeare's Twelfth Night (c. 1602), (Twelfth Night 2.3/32–33), where Sir Toby Belch tells a clown: "Come on; there is sixpence for you: let's have a song" and in Beaumont and Fletcher's 1614 play Bonduca, which contains the line "Whoa ...
There are references to a children's game called "bo-peep", from the 16th century, including one in Shakespeare's King Lear (Act I Scene iv), for which "bo-peep" is thought to refer to the children's game of peek-a-boo, [4] but there's no evidence that the rhyme existed earlier than the 18th century. [1]
The terms "nursery rhyme" and "children's song" emerged in the 1820s, although this type of children's literature previously existed with different names such as Tommy Thumb Songs and Mother Goose Songs. [1] The first known book containing a collection of these texts was Tommy Thumb's Pretty Song Book, which was published by Mary Cooper in 1744 ...
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"Can't Stop Myself From Loving You" was a song written by ex-Easybeats members Harry Vanda & George Young in 1974 and was recorded by Johnny Cave, aka stage act William Shakespeare. It was Shakespeare's first hit in Australia, making the number 2 spot on the Australian charts. The song was largely aimed at the teenybopper market.
Wally Whyton – A Treasury of 250 Favourite Children's Songs (Reader's Digest (UK), GFCS 6A-S2). This is a 6-LP box set issued in 1976. "Hark Hark" appears on the second LP. Unknown, but attributed to Rupert Bear – Rupert Sings a Golden Hour of Nursery Rhymes (Golden Hour (Pye Records), GH 546). This is an LP issued in 1972.
Ariel's song" is a verse passage in Scene ii of Act I of William Shakespeare's The Tempest. It consists of two stanzas to be delivered by the spirit Ariel , in the hearing of Ferdinand . In performance it is sometimes sung and sometimes spoken.