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The Lourdes apparitions are several Marian apparitions reported in 1858 by Bernadette Soubirous, the 14-year-old daughter of a miller, in the town of Lourdes in Southern France. From 11 February to 16 July 1858, she reported 18 apparitions of "a Lady". Soubirous described the lady as wearing a white veil and a blue girdle; she had a golden rose ...
Well, I have thought that on watching the composition we stop thinking and imagining. I have painted the walls pale violet. The ground with checked material. The wooden bed and the chairs, yellow like fresh butter; the sheet and the pillows, lemon light green. The bedspread, scarlet coloured. The window, green. The washbasin, orangey; the tank ...
In the sequel, Eclipse, several direct quotes from Wuthering Heights are used purportedly to compare Bella's relationships with Edward Cullen and Jacob Black to Catherine's relationships with Heathcliff and Edgar. In Kiran Desai's second novel, The Inheritance of Loss, Sai reads Wuthering Heights several times during the Ghurkha insurgency.
Their account is of spring flowers, and the event takes place in Hungary, at Elizabeth's home when she was five years old. [8] The miracle as we know it, with roses and in Germany, is first reported in 1332, in a Franciscan book of prayers, [ 6 ] though it has also been proposed that the miracle was "translated" from Elizabeth of Portugal to ...
The first of the five photographs, taken by Elsie Wright in 1917, shows Frances Griffiths with the alleged fairies. The Cottingley Fairies appear in a series of five photographs taken by Elsie Wright (1901–1988) and Frances Griffiths (1907–1986), two young cousins who lived in Cottingley, near Bradford in England.
Sue Ann Nivens first appears on Mary Tyler Moore as a guest at one of Mary Richards' famously disastrous parties. At the end of the night, Lars, the oft-mentioned but never-seen husband of Mary's friend/landlady, Phyllis Lindstrom, gives Sue Ann a ride home.
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Picasso's classical rendering of "Linda" was designed to convey an aura of purity that contrasts starkly with the harsh reality of her existence. An earlier pen and ink sketch suggests Picasso originally planned to paint the girl in a white dress, as if attending her first communion, with the red flowers symbolising the blood of the Eucharist.