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Smudging, or other rites involving the burning of sacred herbs (e.g., white sage) or resins, is a ceremony practiced by some Indigenous peoples of the Americas.While it bears some resemblance to other ceremonies and rituals involving smoke (e.g., Australian smoking ceremony, some types of saining) from other world cultures, notably those that use smoke for spiritual cleansing or blessing, the ...
Take the traditional Native American practice of sage smudging or burning, for example. Its historical context has disappeared as quickly as an influencer’s Instagram Story showing you their ...
Glazes are seldom used by indigenous American ceramic artists. Grease can be rubbed onto the pot as well. [2] Prior to contact, pottery was usually open-air fired or pit fired; precontact Indigenous peoples of Mexico used kilns extensively. Today many Native American ceramic artists use kilns. In pit-firing, the pot is placed in a shallow pit ...
A map of the Southeastern Ceremonial Complex and some of its associated sites. Southeastern Ceremonial Complex (formerly Southern Cult, Southern Death Cult or Buzzard Cult [1] [2]), abbreviated S.E.C.C., is the name given by modern scholars to the regional stylistic similarity of artifacts, iconography, ceremonies, and mythology of the Mississippian culture.
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Native American religions were prevalent in the pre-Columbian era, including state religions.Common concept is the supernatural world of deities, spirits and wonders, such as the Algonquian manitou or the Lakotaʼs wakan, [19] [20] [9] as well as Great Spirit, [21] Fifth World, world tree, and the red road among many Indians.
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