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Saṃsāra (Devanagari: संसार) means "wandering", [1] [2] as well as "world" wherein the term connotes "cyclic change". [3] Saṃsāra, a fundamental concept in all Indian religions, is linked to the karma theory and refers to the belief that all living beings cyclically go through births and rebirths.
Bhavachakra, "wheel of life," [a] consists of the words bhava and chakra.. bhava (भव) means "being, worldly existence, becoming, birth, being, production, origin". [web 1]In Buddhism, bhava denotes the continuity of becoming (reincarnating) in one of the realms of existence, in the samsaric context of rebirth, life and the maturation arising therefrom. [2]
In response to the question since when beings wander within samsara (i.e. the Six Paths), the Buddha answered that the starting point could not be identified nor understood. One conclusion that is certain, is that we have wandered already for aeons, however, when the Buddha was asked how long an aeon is, he gave a smile.
Saṃsāra (Sanskrit: संसार, Pali: saṃsāra; also samsara) in Buddhism and Hinduism is the beginningless cycle of repeated birth, mundane existence and dying again. [1] Samsara is considered to be dukkha , suffering, and in general unsatisfactory and painful, [ 2 ] perpetuated by desire and avidya (ignorance), and the resulting ...
Although it may not be the most pleasurable domain to live in, a human rebirth is in fact considered to be by far the most advantageous of all possible rebirths in samsara, because a human rebirth is the only samsaric domain from which one can directly attain Bodhi (enlightenment), either in the present rebirth (for Buddhas and Arhats) or in a ...
[6] [7] The three poisons are represented in the hub of the wheel of life as a pig, a bird, and a snake (representing ignorance, attachment, and aversion, respectively). As shown in the wheel of life (Sanskrit: bhavacakra), the three poisons lead to the creation of karma, which leads to rebirth in the six realms of samsara. [1] [8] [9]
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
In Buddhism, the cyclical movement of a wheel is also used to symbolize the cyclical nature of life in the world (also referred to as the "wheel of samsara", samsara-chakra or the "wheel of becoming", bhava-cakra). [14] This wheel of suffering can be reversed or "turned" through the practice of the Buddhist path.