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[1] [2] The concept is originally notable as a feature of Samkhya philosophy. [3] The guṇas are now a key concept in nearly all schools of Hindu philosophy. [4] There are three guṇas (triguṇa), according to this worldview, that have always been and continue to be present in all things and beings in the world. [4]
Sharanga (Sanskrit: शारङ्ग, romanized: Śāraṅga) also spelt as Saranga, is the celestial bow of the Hindu god Vishnu, [1] primarily associated with his avatar of Rama. [2] In South India, the Sharanga is also simply known as the Kodanda, literally meaning bow. [3] Rama is often praised as Kodandapani, the holder of
Hindu cosmology is the description of the universe and its states of matter, cycles within time, physical structure, and effects on living entities according to Hindu texts.
The Valmiki Samhita [1] is attributed to the worship of Rama and Sita. It describes them to be the ultimate reality . According to the Valmiki Samhita , Rama is Svayam Bhagavan whose abode is higher than the highest and who is considered as the origin of Chaturvyuha , namely Vasudeva , Sankarshana , Pradyumna , and Aniruddha . [ 2 ]
Maricha led Rama far away from the hermitage, which made Rama very angry. After a long chase, the tired deer stopped in a shady grassland. Rama seized the opportunity and shot it down with his golden arrow. When the dying Maricha was returning to his real form he cried out, "Oh Sita! Oh Lakshmana!", [16] mimicking Rama's voice. Sita fell prey ...
An incident about the meeting of the four Kumaras with Vishnu's avatar Rama is narrated in the Uttarakanda of the Ramcharitmanas. The Kumaras once stayed in the hermitage of the sage Agastya, who told them about the glory of Rama. So to meet Rama, they went to a forest grove where Rama with his brothers and disciple Hanuman had come. Rama and ...
The Adbhuta Ramayana is a Śāktaḥ Sanskrit work. It is considerably more obscure than both the Valmiki Ramayana as well as Tulsidas’ Awadhi version entitled Ramacharitamanasa, northern India's most popular version of the Ramayana story.
[3] [4] Rajas is sometimes translated as passion, where it is used in the sense of activity, without any particular value and it can contextually be either good or bad. [1] [2] Rajas helps actualize the other two guṇa. [5] [6] In simply it is the mixture of both sattva and tamas.