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The expression "image d'Épinal" has become proverbial in French and refers to a traditionalist and often naïve depiction of something, focusing only on its positive aspects [2] These prints were frequently used as a point of comparison for criticizing the paintings of Gustave Courbet , notably his Burial at Ornans and Peasants of Flagey ...
En L'An 2000 (In the Year 2000, also loosely translated as France in the 21st Century) is a French image series depicting scientific advances imagined as achieved by the year 2000. At least 78 were produced, by artists including Jean-Marc Côté [ citation needed ] .
Print/export Download as PDF; Printable version; In other projects ... Media in category "Images of French people" The following 9 files are in this category, out of ...
The following is a chronological list of French artists working in visual or plastic media (plus, for some artists of the 20th century, performance art). For alphabetical lists, see the various subcategories of Category:French artists. See other articles for information on French literature, French music, French cinema and French culture.
This is an incomplete list of works by the French modern artist Henri Matisse (31 December 1869 – 3 November 1954). He is admired for his use of color and his fluid, brilliant and original draughtsmanship. He was a Master draughtsman, printmaker, and sculptor, but is known primarily as a painter.
Millet's The Gleaners was preceded by a vertical painting of the image in 1854 and an etching in 1855. Millet unveiled The Gleaners at the Salon in 1857. It immediately drew negative criticism from the middle and upper classes, who viewed the topic with suspicion: one art critic, speaking for other Parisians, perceived in it an alarming intimation of "the scaffolds of 1793."
The Chauvet-Pont-d'Arc Cave (French: Grotte Chauvet-Pont d'Arc, French pronunciation: [ɡʁɔt ʃovɛ pɔ̃ daʁk]) in the Ardèche department of southeastern France is a cave that contains some of the best-preserved figurative cave paintings in the world, [1] as well as other evidence of Upper Paleolithic life. [2]
Each print has a six-line verse caption below the image, written by the famous print-collector Michel de Marolles. All show wide panoramic views, with many tiny figures, as is typical of Callot's work. The technique of using multiple bitings of acid on the plate, with different areas "stopped-out", was perfected by Callot. This method allows ...