Search results
Results from the WOW.Com Content Network
The Cello Music Collection of the University of North Carolina at Greensboro violoncello, cello, manuscript: The largest single holding of cello music–related materials in the world, including annotated sheet music (manuscript and published), monographs, serials, audio/video recordings, personal papers, and artifacts associated with noted ...
Printable version; In other projects Wikimedia Commons; Wikidata item; ... Pages in category "Compositions for cello" The following 16 pages are in this category, out ...
Cello Concerto in D major, based on Carl Maria von Weber's Clarinet Concerto No. 2 in E-flat major, Op. 74; Cello Concerto in D major, based on Mozart's Horn Concerto No. 3 in E-flat major, K. 447; Cello Concerto in A minor, based on Schubert's Sonata for Arpeggione and Piano, D. 821; Jean Cras. Légende (1929) César Cui. Deux morceaux Op. 36 ...
Arabic Melody for cello and piano, Op. 4 No. 5; from Five Romances (songs) (1882–85) Elegy in D flat major for cello and piano (Une Pensee a F. Liszt), Op. 17 (1888) Two Pieces for cello and piano, Op. 20A (1888) (Melodie; Spanish Serenade) Chant du Ménestrel for cello and piano, Op. 71 (1900) Reinhold Glière. Ballade
Print/export Download as PDF; ... Composers of music for cello. Pages in category "Composers for cello"
Scordatura used in the Sonata for Solo Cello. The upper two strings remain the same as in normal tuning, while the lower strings are tuned down one semitone. The piece wavers between B minor and B major, and Kodály used the tuning to extend the instrument's tonal, dynamic and expressive range.
Mini-music to Siegfried Palm, Op. 38 (1970) Sven Einar Englund. Suite (1986) Gottfried von Einem. Music, Op. 108 (1996) Iván Erőd. Hommage à Beethoven, Op. 24 (Rhapsodie für Violoncello solo über Themen der Sonate, Op. 102/1 von Ludwig van Beethoven) (1977) Rudolf George Escher. Sonata for solo Violoncello (1945–48) Pozzi Escot. Sonata ...
The music begins in the piano, and the cello enters on a playful counter-melody in measure twelve, [2] [8] and the two instruments pass arpeggiated and scalar figures back and forth. [4] A more melodic section in D major begins in measure 33, and the fast-paced music passes through A major and E major before returning to G. [ 2 ]