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Bal-musette is a style of French instrumental music and dance that first became popular in Paris in the 1880s. Although it began with bagpipes as the main instrument, this instrument was eventually replaced by the accordion, on which a variety of waltzes, polkas, and other dance styles were played.
Except for a brief moment in time during the 1830s and 1840s when the accordion was heard by French aristocracy during Salon music concerts, the instrument has always been associated with the common people. The accordion was spread across the globe by the waves of Europeans who emigrated to various parts of the world in the late 19th century ...
Music portal Wikimedia Commons has media related to Accordionists from France . This category is for articles about players of the accordion from the European country of France .
Yvette Horner (née Hornère; () 22 September 1922 – () 11 June 2018) was a French accordionist, pianist and composer known for performing with the Tour de France during the 1950s and 1960s. During her 70-year long career, she gave more than two thousand concerts and released around 150 records, selling a total of 30 million copies.
Matinier studied classical music, then turned to jazz and other forms of improvised music. From 1989 to 1991 he played in the French National Jazz Orchestra. His way of playing is strongly influenced by the attitude of a European, chamber jazz, with its specific uptake of the accordion tradition affects the music but also relaxing.
Alessandra Mignacca (born c.1977/78) – Italian accordion player, teacher; Joey Miskulin (born 1949) American accordionist, also member of western music and comedy group Riders in the Sky; Brian Mitchell – member of Fatboy Kanootch, Levon Helm Band; Aniceto Molina (1939–2015) – Colombian musician
This is a list of articles describing traditional music styles that incorporate the accordion, alphabetized by assumed region of origin.. Note that immigration has affected many styles: e.g. for the South American styles of traditional music, German and Czech immigrants arrived with accordions (usually button boxes) and the new instruments were incorporated into the local traditional music.
Although originally there were no instruments, there were songs. Families sang traditional French songs called complaintes which the Cajuns adapted to their new ways of life. The first known record was of a violin in 1780 and a fiddle and clarinet player in 1785. The diatonic accordion was introduced to Cajun music in the mid- to late-1800s.