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"Widsith" (Old English: Wīdsīþ, "far-traveller", lit. "wide-journey"), also known as "The Traveller's Song", [1] is an Old English poem of 143 lines. It survives only in the Exeter Book ( pages 84v–87r ), a manuscript of Old English poetry compiled in the late-10th century, which contains approximately one-sixth of all surviving Old ...
The Lucy poems are a series of five poems composed by the English Romantic poet William Wordsworth (1770–1850) between 1798 and 1801. All but one were first published during 1800 in the second edition of Lyrical Ballads , a collaboration between Wordsworth and Samuel Taylor Coleridge that was both Wordsworth's first major publication and a ...
Juvenile Pieces ; Poems Written in Youth; Distinct Class (with Descriptive sketches) (1836–); Poems of Early and Late Years: 1798 Female Vagrant 1791–1794 " 'By Derwent's side my father dwelt—a man" Juvenile Pieces ; Poems Written in Youth; Distinct Class (with Descriptive sketches) (1836–); 1798 Lines (2) 1795
This is a list of English poems over 1000 lines. This list includes poems that are generally identified as part of the long poem genre, being considerable in length, and with that length enhancing the poems' meaning or thematic weight. This alphabetical list is incomplete, as the label of long poem is selectively and inconsistently applied in ...
Loss is an important theme in the "Matthew" poems; To Geoffrey Hartman, "radical loss" haunts both the "Lucy" poems and the "Matthew" poems. [17] The "Lucy" poems, written at the same time as "Two April Mornings", share their discussion on separation, but the "Matthew" poems make it clear that a loss cannot truly be replaced. [ 18 ]
Now We Are Six is a 1927 book of children's poetry by A. A. Milne, with illustrations by E. H. Shepard. It is the second collection of children's poems following Milne's When We Were Very Young, which was first published in 1924. The collection contains thirty-five verses, including eleven poems that feature Winnie-the-Pooh illustrations.
Modern English [63] West Saxon [64] Full many a dire experience on that hill. I saw the God of hosts stretched grimly out. Darkness covered the Ruler's corpse with clouds, A shadow passed across his shining beauty, under the dark sky. All creation wept, bewailed the King's death. Christ was on the cross.
This poem marks the introduction into an English context of the classical pastoral, a mode of poetry that assumes an aristocratic audience with a certain kind of attitude to the land and peasants. The explorations of love found in the sonnets of William Shakespeare and the poetry of Walter Raleigh and others also implies a courtly audience.