Search results
Results from the WOW.Com Content Network
You can find instant answers on our AOL Mail help page. Should you need additional assistance we have experts available around the clock at 800-730-2563.
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types.It is the highest male chest voice type. [1] Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B 2 to G 4) in choral music, and from the second B flat below middle C to the C above middle C (B ♭ 2 to C 5) in ...
The Choir of the French Army at the Lons-le-Saunier Theater.. A men's chorus or male voice choir (MVC) (German: Männerchor), is a choir consisting of men who sing with either a tenor or bass voice, and whose music is typically arranged into high and low tenors (1st and 2nd tenor), and high and low basses (1st and 2nd bass; or baritone and bass)—and shortened to the letters TTBB.
Four-voice texture in the Genevan psalter: Old 124th. [1] Play ⓘ Four-part harmony is music written for four voices , or for some other musical medium—four musical instruments or a single keyboard instrument, for example—for which the various musical parts can give a different note for each chord of the music.
COSHOCTON — The 90-voice Coshocton Community Choir will present its annual Christmas concert, In Endless Light, at 3 p.m. Sunday in the auditorium of River View High School. The choir includes ...
When the soprano and alto are notated in one staff, all stems for the soprano go up, and all for the alto go down. Similarly, when the tenor and bass are notated in one staff, the upper voice is marked by stems up, and both voices are written in bass clef, while the tenor is usually written in treble clef marked an octave down if it has its own staff.
The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a ...
Like an oratorio or an opera, a choral symphony is a musical work for orchestra, choir and (often) solo voices, although a few have been written for unaccompanied voices. [1] Berlioz, who in 1858 first coined the term when describing his work Roméo et Juliette, explained the distinctive relationship he envisaged between voice and orchestra: