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  2. MP3Gain - Wikipedia

    en.wikipedia.org/wiki/MP3Gain

    MP3Gain is an audio normalization software tool. The tool is available on multiple platforms and is free software.It analyzes the MP3 and reversibly changes its volume. The volume can be adjusted for single files or as album where all files would have the same perceived loudness.

  3. mp3DirectCut - Wikipedia

    en.wikipedia.org/wiki/Mp3DirectCut

    An MP3 file can be edited without transcoding. Cut, copy, paste, and volume change operations are provided; edits can be previewed, including a command that plays a segment without a selected region (previewing a cut) Audio normalization and pause detection; MP3 recording with ACM or LAME encoder (not bundled) Fast MP3 visualization

  4. ReplayGain - Wikipedia

    en.wikipedia.org/wiki/ReplayGain

    ReplayGain is a proposed technical standard published by David Robinson in 2001 to measure and normalize the perceived loudness of audio in computer audio formats such as MP3 and Ogg Vorbis. It allows media players to normalize loudness for individual tracks or albums.

  5. Comparison of free software for audio - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_free...

    Released as free software in 2004 BSD-3-Clause (since OpenMPT 1.17.02.53) / GPL-2.0-or-later, partly public domain: SoundTracker: Yes No Yes No Fast Tracker clone GPL-2.0-or-later: SunVox: Alexander Zolotov Yes Yes Yes Yes Also runs on Windows CE. Proprietary (Music Creation Studio) BSD-3-Clause (Engine) Noise Station: Mark Sheeky No No No Yes ...

  6. HandBrake - Wikipedia

    en.wikipedia.org/wiki/HandBrake

    HandBrake is a free and open-source transcoder for digital video files. It was originally developed in 2003 by Eric Petit to make ripping DVDs to a data storage device easier. [3]

  7. Audio normalization - Wikipedia

    en.wikipedia.org/wiki/Audio_normalization

    Audio normalization is the application of a constant amount of gain to an audio recording to bring the amplitude to a target level (the norm). Because the same amount of gain is applied across the entire recording, the signal-to-noise ratio and relative dynamics are unchanged.

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