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  2. Japanese calligraphy - Wikipedia

    en.wikipedia.org/wiki/Japanese_calligraphy

    Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only , but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.

  3. Japanese art - Wikipedia

    en.wikipedia.org/wiki/Japanese_art

    Japanese art consists of a wide range of art styles and media that includes ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ukiyo-e paintings and woodblock prints, ceramics, origami, bonsai, and more recently manga and anime. It has a long history, ranging from the beginnings of human habitation in Japan, sometime in ...

  4. Nakajima Hiroyuki - Wikipedia

    en.wikipedia.org/wiki/Nakajima_Hiroyuki

    Nakajima Hiroyuki (中嶋宏行, born February 17, 1956) is a contemporary Japanese artist and calligrapher from Chiba, Japan.He is best known for his modern interpretation of Japanese calligraphy (shodo) which he calls Sho art, a technique which combines the traditional elements of Japanese calligraphy (shodo) with the movements of tai chi and inspired by the symbols of zen and nature. [1]

  5. Hitsuzendō - Wikipedia

    en.wikipedia.org/wiki/Hitsuzendō

    Hitsuzendō (筆禅道, "way of Zen through brush") is believed by Zen Buddhists to be a method of achieving samādhi (Japanese: 三昧 sanmai), which is a unification with the highest reality. [ clarification needed ] Hitsuzendo refers specifically to a school of Japanese Zen calligraphy to which the rating system of modern calligraphy (well ...

  6. Handscroll - Wikipedia

    en.wikipedia.org/wiki/Handscroll

    Handscrolls were introduced to Japan centuries later through the spread of Buddhism. The earliest extant Japanese handscroll was created in the eighth century and deals with the life of the Buddha. Japanese horizontal picture scrolls are called emakimono (or emaki), and more often cover narrative subjects than their Chinese equivalents. [7]

  7. Ono no Michikaze - Wikipedia

    en.wikipedia.org/wiki/Ono_no_Michikaze

    These modifications set the foundation of Japanese-style calligraphy (Wayō 和様, as opposed to Chinese-style calligraphy or Karayō 唐様), which was later refined by other two masters, Fujiwara no Sukemasa and Fujiwara no Yukinari. Wayō was accredited and practiced, as a pure Japanese art form, until the mid-19th century.

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