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The biwa (Japanese: 琵琶) is a Japanese short-necked wooden lute traditionally used in narrative storytelling. The biwa is a plucked string instrument that first gained popularity in China before spreading throughout East Asia, eventually reaching Japan sometime during the Nara period (710–794).
Traditional Japanese musical instruments, known as wagakki (和楽器) in Japanese, are musical instruments used in the traditional folk music of Japan. They comprise a range of string , wind , and percussion instruments.
The Biwa in History, Its Origins and Development in Japan. Ann Arbor: University of Michigan, 1967. Groemer, Gerald. The Spirit of Tsugaru: Blind Musicians, Tsugaru-jamisen, and the Folk Music of Northern Japan, with the Autobiography of Takahashi Chikuzan. Sterling Heights: Harmonie Park Press, 1999. History of Japanese Traditional Music ...
The biwa (琵琶 - Chinese: pipa), a form of short-necked lute, was played by a group of itinerant performers (biwa hōshi). The root of Biwa music was The Tale of the Heike. [7] Biwa hōshi organized into a guild-like association. The biwa is Japan's traditional instrument. [citation needed]
In conservatoria across the country, even students of traditional instruments were always required to learn the piano. [20] Takemitsu, 1961. From the early 1960s, Takemitsu began to make use of traditional Japanese instruments in his music, and even took up playing the biwa—an instrument he used in his score for the film Seppuku (1962). [2]
Professional players can produce virtually any pitch they wish from the instrument, and play a wide repertoire of original Zen music, ensemble music with koto, biwa, and shamisen, folk music, jazz, and other modern pieces. Much of the shakuhachi 's subtlety (and player's skill) lies in its rich tone colouring, and the ability for its variation.
The biwa, particularly the satsuma biwa is another Japanese instrument which is known for its sawari. The make of the instrument is such that the strings are stopped by pulling them between frets that are raised centimeters from the neck of the instrument, allowing the player to create the desired sawari effect at each fret.
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