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Spectrum Culture included two of the album's tracks, "Jim Jones" and "Froggie Went a Courtin'" on a 2020 list of "Bob Dylan's 20 Best Songs of the 1990s". [ 22 ] NJArts ' Jay Lustig wrote that Good as I Been to You is a "solid but not exactly essential addition to [Dylan's] catalog" and cited "You're Gonna Quit Me" as the highlight of the album.
The liner notes for The Basement Tapes give the following personnel credits for all songs on the album: Bob Dylan – acoustic guitar, piano, vocals; Robbie Robertson – electric guitar, acoustic guitar, drums, vocals; Richard Manuel – piano, drums, harmonica, vocals; Rick Danko – electric bass, mandolin, vocals; Garth Hudson – organ, clavinet, accordion, tenor saxophone, piano; Levon ...
"It's All Over Now, Baby Blue" is a song written and performed by Bob Dylan and featured on his Bringing It All Back Home album, released on March 22, 1965, by Columbia Records. The song was recorded on January 15, 1965, with Dylan's acoustic guitar and harmonica and William E. Lee's bass guitar the only
In 1961, 19-year-old Robert Allen Zimmerman dropped out of college in his native Minnesota, made a pilgrimage to New York City to meet his folk music idol Woody Guthrie, and decided to become, in ...
The first session, held on January 13, 1965, in Columbia's Studio A in New York, was recorded solo, with Dylan playing piano or acoustic guitar. Ten complete songs and several song sketches were produced, nearly all of which were discarded. [16]
After a brief intermission, he returned with his acoustic guitar to play "Mr. Tambourine Man" and, fittingly, "It's All Over Now, Baby Blue." The crowd cheered for these songs, but bootleg videos ...
In 1965, Dylan performed at the Newport Folk Festival and shifted from folk to electric for the first time — leading the crowd to "boo" him after performing "Maggie's Song" with an electric guitar.
In his book Keys to the Rain: The Definitive Bob Dylan Encyclopedia, Oliver Trager describes "Mr. Tambourine Man" as having a bright, expansive melody, [10] with Langhorne's electric guitar accompaniment, which provides a countermelody to the vocals, being the only instrumentation besides Dylan's acoustic guitar and harmonica. [11]
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