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His partners in the company were members of the Pre-Raphaelite Brotherhood, a group of painters who rejected the art and design of the Victorian era, and sought to revive earlier themes and techniques of art and craftsmanship. [2] The first wallpaper pattern he designed for his company was the Trellis wallpaper in 1864.
In the 1950s, after she was married and had children, Armitage started designing and making lino-cut wallpaper. [3] Over time, she became known for her hand-drawn and hand-printed designs. [4] After sketching the design, she uses hand-cut lino blocks and a century-old offset lithographic printing press to create custom-printed rolls of wallpaper.
Bradbury & Bradbury Art Wallpapers is an American company based in Benicia, California, [1] that specializes in selling vintage 19th century and 20th century wallpaper, sometimes reinterpreted with a modern color palette. [2] It was founded in 1979 by Bruce Bradbury, who was the only employee whose surname was Bradbury despite the name of the ...
Circa 1869 wallpaper design by Paul Balin. Paul Balin (1832–1898) was a French wallpaper designer and manufacturer. [1] Balin was active as a wallpaper manufacturer in Paris during second half of the 19th century. [2] Balin was born in Paris in 1832. [3] In 1863 he assumed ownership of the Genoux company in Paris. [4]
In her art she was influenced by the style and drama of Kabuki theatre and the Edo period of Japanese culture. In 2017, during the curatorship of the VMFA's Asian expert, art curator and historian Li Jian, Haruyo Morita's Twelve-Layer Kimono , a gift from a private collection, was added to the permanent collection of the Virginia Museum of Fine ...
Charles Francis Annesley Voysey FRIBA RDI [2] (28 May 1857 – 12 February 1941) was an English architect and furniture and textile designer.Voysey's early work was as a designer of wallpapers, fabrics and furnishings in a Arts and Crafts style and he made important contribution to the Modern Style (British Art Nouveau style), and was recognized by the seminal The Studio magazine. [3]
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Susan Kare's career has always focused on fine art. [10] For several summers during high school she interned at the Franklin Institute for designer Harry Loucks, who introduced her to typography and graphic design while she did phototypesetting with "strips of type for labels in a dark room on a PhotoTypositor".