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British Library, Egerton MS 609 is a Breton Gospel Book from the late or third quarter of the ninth century. It was created in France, though the exact location is unknown. The large decorative letters which form the beginning of each Gospel are similar to the letters found in Carolingian manuscripts, but the decoration of these letters is closer to that found in insular manuscripts, such as ...
Folio 27r from the Lindisfarne Gospels contains the incipit from the Gospel of Matthew.. The Lindisfarne Gospels (London, British Library Cotton MS Nero D.IV) is an illuminated manuscript gospel book probably produced around the years 715–720 in the monastery at Lindisfarne, off the coast of Northumberland, which is now in the British Library in London. [1]
There are two folios missing that contained the end of Matthew and the beginning of Mark. The remainder of Mark and the other two Gospels are complete. The original final page of John has been lost but was replaced by a folio written in by a 10th-century Anglo-Saxon scribe. The original Evangelist portraits of Matthew, Mark and John have also ...
The Evangeliary developed from marginal notes in manuscripts of the Gospels and from lists of gospel readings (capitularia evangeliorum). Generally included at the beginning or end of the book containing the whole gospels, these lists indicated the days on which the various extracts or pericopes were to be read. They developed into books in ...
A carpet page is a full page in an illuminated manuscript containing intricate, non-figurative, patterned designs. [1] They are a characteristic feature of Insular manuscripts, and typically placed at the beginning of a Gospel Book. Carpet pages are characterised by mainly geometrical ornamentation which may include repeated animal forms.
This manuscript is the oldest surviving illustrated Latin (rather than Greek or Syriac) Gospel Book, [2] and one of the oldest European books in existence. Although the only surviving illuminations are two full-page miniatures , these are of great significance in art history as so few comparable images have survived.
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