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The following is an alphabetical list of notable musicians using Amharic vocals in their musical compositions. The Amharic language is predominantly used in Ethiopia
Kamuzu composed music for local gospel singer and preacher Eyob Deno's album Halo Bado in 2004. [citation needed] Following this, he started to compose music for non-gospel singers as well. In 2007, he composed a single which is entitled "Aroge Arada" for Kako Getachew and this paved the way for him to the secular world of music. [citation needed]
His first song on vinyl was Hedetch Alu, which was recorded in 1972 by Girma Bèyènè (piano and arrangements), Tesfa Mariam Kidane (tenor sax), Tekle Adhanonm (guitar), Fekade Amde Meskel (bass), Tesfay Mekonnen (drums) and Melesse himself. In 1975, he recorded his second song, "Wetetie Mare and Ete Endenesh Gedawo", with Equator Band.
Other challenges are spiritual songs in audio and audiovisual form are possible without an original hymn. Without proper knowledge, some musicians prepare religious music and some singers take to secular form. The most contentious is the use of church treasures such as drum, sistrum, clothes and sticks currently used by Protestant followers.
The result was a fusion of contemporary and traditional sounds. The album was a critical success internationally and generated controversy in her home country for such a radical break with Ethiopian popular music. [4] This release was soon followed by Illuminated Audio, an ambient dub style remix of the album by Laswell.
The music of Ethiopia is a reflection of all the historical and social episodes, such as the military campaigns that various warlords or chiefs had to launch. The music is about war as well as patriotism, songs of victory, and songs that incite support for a certain crusade. [10] The music is also about love, with wonderful melodies and poetic ...
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Tizita songs are a popular music genre in Ethiopia and Eritrea. It's named after the Tizita Qañat mode/scale used in such songs. [1] Tizita is known for strongly moving listener's feelings not only among the Amhara, but a large number of Ethiopians, in general. [5] Western sources often compare tizita to the blues.