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The alternative Super series, denoted SnR, nR Plus or nR+, has an aspect ratio of 3∶2 (or as close as possible) and thus provides a better fit for standard 135 film (35 mm) at sizes of 8 inches or above. 5R is twice the size of a 2R print, 6R twice the size of a 4R print and S8R twice the size of 6R. 4D/6D is a newer size for most consumer ...
Actual size is approximately 1 ⁄ 4 by 1 ⁄ 4 inch (6 by 6 mm). Individual coloured droplets of ink are visible; this sample is about 150 DPI. Dots per inch (DPI, or dpi [1]) is a measure of spatial printing, video or image scanner dot density, in particular the number of individual dots that can be placed in a line within the span of 1 inch ...
The image would be a very low quality image (72ppi) if printed at about 28.5 inches wide, but a very good quality (300ppi) image if printed at about 7 inches wide. The number of photodiodes in a color digital camera image sensor is often a multiple of the number of pixels in the image it produces, because information from an array of color ...
AV1 Image File Format Alliance for Open Media (AOMedia) AV1.avif image/avif General purpose royalty-free BAY: Casio RAW Casio.bay BMP: raw-data unencoded or encoded bitmap simple colour image format, far older than Microsoft; some .bmp encoding formats developed/owned by Microsoft.bmp, .dib, .rle,.2bp (2bpp) image/x-bmp Used by many 2D ...
Common in large and medium format photography ('6x7' cameras, actual size 56 mm × 70 mm (2.2 in × 2.8 in)), which fits the common print paper size of 8 in × 10 in (20.3 cm × 25.4 cm) without cropping and is still in common use for prints from digital cameras.
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Pixels per inch (or pixels per centimetre) describes the detail of an image file when the print size is known. For example, a 100×100 pixel image printed in a 2 inch square has a resolution of 50 pixels per inch. Used this way, the measurement is meaningful when printing an image.
A 50 mm lens on an APS-C format (crop factor 1.6) images a slightly smaller field of view than a 70 mm lens on a 35 mm camera. The terms crop factor and focal length multiplier were coined to help 35 mm film format SLR photographers understand how their existing ranges of lenses would perform on newly introduced DSLR cameras which had sensors smaller than the 35 mm film format, but often ...
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