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Howlin' Wolf recorded "Killing Floor" in Chicago in August 1964, which Chess Records released as a single. [2] According to blues guitarist and longtime Wolf associate Hubert Sumlin, the song uses the killing floor – the area of a slaughterhouse where animals are killed – as a metaphor or allegory for male-female relationships: "Down on the killing floor – that means a woman has you down ...
Chester Arthur Burnett (June 10, 1910 – January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer, guitarist and harmonica player. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock.
Live and Cookin', subtitled at Alice's Revisited, is a live album by blues musician Howlin' Wolf, released by Chess Records in 1972. [ 1 ] [ 2 ] [ 3 ] Reception
The Real Folk Blues is a series of blues albums released between 1965 and 1967 by Chess Records, later reissued MCA Records.Each album in the series highlighted the music of one major Chess artist, including John Lee Hooker, Howlin' Wolf, Muddy Waters, and Sonny Boy Williamson II.
Jeffrey M. Carp (July 6, 1948 – January 1973) [1] was an American blues harmonica player. He was best known for his work with Muddy Waters, John Lee Hooker, and Howlin' Wolf.
The Howlin' Wolf song was the Yardbirds' most popular live number and a regular in their sets. [4] Performances of the song could last up to 30 minutes. [ 10 ] Howlin' Wolf reportedly referred to the group's 5:35 album version as "the definitive version of his song".
Cadillac Records: Music from the Motion Picture is a soundtrack album for the film Cadillac Records.It features covers of classic songs from Chess Records' singers as performed by the film's actors including Beyoncé (as Etta James), Eamonn Walker (as Howlin' Wolf) and Jeffrey Wright (as Muddy Waters).
The Howlin' Wolf entry is possibly the best of the batch, and one of the best introductions to this mercurial electric bluesman. Opening with the savage 'Killing Floor,' the album doesn't let up in intensity, and it happily focuses on Wolf's less-anthologized sides, which gives the album a freshness a lot of blues compilations lack".