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Chester Arthur Burnett (June 10, 1910 – January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer, guitarist and harmonica player. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock.
The American Folk Blues Festival was a music festival that toured Europe as an annual event for several years beginning in 1962. It introduced audiences in Europe, including the UK, to leading blues performers of the day such as Muddy Waters, Howlin' Wolf, John Lee Hooker and Sonny Boy Williamson, most of whom had never previously performed outside the US.
Howlin' Wolf recorded "Killing Floor" in Chicago in August 1964, which Chess Records released as a single. [2] According to blues guitarist and longtime Wolf associate Hubert Sumlin, the song uses the killing floor – the area of a slaughterhouse where animals are killed – as a metaphor or allegory for male-female relationships: "Down on the killing floor – that means a woman has you down ...
Hubert Charles Sumlin (November 16, 1931 – December 4, 2011) was a Chicago blues guitarist and singer, [1] best known for his "wrenched, shattering bursts of notes, sudden cliff-hanger silences and daring rhythmic suspensions" as a member of Howlin' Wolf's band. [2]
Live and Cookin', subtitled at Alice's Revisited, is a live album by blues musician Howlin' Wolf, released by Chess Records in 1972. [ 1 ] [ 2 ] [ 3 ] Reception
In May 1970, Howlin' Wolf traveled to Olympic Sound Studios in London, England, to record songs for The London Howlin' Wolf Sessions. [5] The album was released in August 1971 [6] and peaked at number 28 on Billboard magazine's R&B Albums chart and number 79 on the Billboard 200. [7]
The London Howlin' Wolf Sessions is an album by blues musician Howlin' Wolf released in 1971 on Chess Records, and on Rolling Stones Records in Britain. [5] It was one of the first super session blues albums, setting a blues master among famous musicians from the second generation of rock and roll, in this case Eric Clapton, Steve Winwood, Charlie Watts, and Bill Wyman.
Later on, Howlin' Wolf named him Tail Dragger because Jones often arrived late for gigs. [1] By the early 1970s, Jones had become a full-time singer and he used notable backing musicians, including Willie Kent , Hubert Sumlin , Carey Bell , Kansas City Red , [ 5 ] Little Mack Simmons , Big Leon Brooks, and Eddie Shaw .